Over the years since the X-Pro 1 was released there have been lots of advancements in the variety and quality of the various applications which can handle Fuji raw files, and I’ve been obsessed with trying to get the maximum possible quality out of the conversion process ever since.
CAPTURE ONE VS IRIDIENT DEVELOPER SOFTWARE
The software that came with the camera produced good results but was difficult to use, and early support in Lightroom was quite poor and led to a degree of frustration. I was also a little disappointed with the early results from various raw converters. When the X-Pro 1 came out, I was fascinated by the sensor design, and the form factor of the camera. Lens Versus Wide Angle Primes Standard Zooms Telephoto Zooms 10-24mm F4 vs.I was one of the early adaptors of Fuji’s X-Trans system.Reviews Fujifilm X-T3 Fujifilm X-H1 Fujifilm X-T2 Fujifilm X-Pro2 Fujifilm X-T1 Fujifilm X-T10 Fujifilm X70 Fujifilm X30 Fujifilm GFX 50S Preview XF 14mm F2.8 XF 16mm F1.4 WR XF 18mm F2 XF 23mm F1.4 XF 35mm F1.4 XF 35mm F2 WR XF 56mm F1.2 (APD) XF 10-24mm F4 OIS XF 16-55mm F2.8 WR XF 18-55mm F2.8-4 OIS XF 50-140mm F2.8 OIS WR MCEX-11 & MCEX-16 Extension Tubes VPB-XT2 Vertical Power Booster Grip Fuji MHG-XT Hand Grip Artisan & Artist Silk Strap LumaLabs Loop 3 Nucis Leather Straps.Extras Fuji Filter Thread Sizes Lightroom 5.7 vs.6.1 for X-Trans Best X-Trans RAW Converter Long Exposure Photography Tips Heavy Issues Mirrorless vs DSLR weight Adobe’s Fujifilm Camera Calibration Profiles Film Simulation Modes Compared Fujifilm Metering ONA Bowery vs.
CAPTURE ONE VS IRIDIENT DEVELOPER PRO
#Editing fujifilm raw files with iridient developer proĪfter years (half a decade, even) of being unsatisfied with Lightroom’s handling of X-Trans RAF files, and an underlying dissatisfaction with my workflow workarounds, I’ve completely made the switch from Lightroom to Capture One Pro 12→ 1 for all of my personal 2 photography. The transition period was actually quite short, just a couple months or so. I started out importing all my current RAFs into Capture One, while maintaining my Lightroom library and doubling up my asset management in case I decided to move back. Well, my last import was only to Capture One. Those, and future images will likely never see Lightroom.Īdobe has certainly made some progress since the first and second generation of X-Trans, but it is the definition of “too little, too late” in my book. In my hopelessly dated RAW Converter comparison, I concluded that Capture One delivered superior results. A year later when Lightroom 6 came out, I left little doubt that Capture One produces cleaner images with better detail. Honestly I’m not sure, but version 12 of Capture One does have some additional niceties that have made the switch easier, and Phase One’s commitment to Fujifilm cameras really helps. The other big change to my workflow is I’ve gone RAF-only for my personal photography. One big reason for this is Capture One’s interpretation of Fuji’s Film Simulation Modes and lens correction profiles are so good, I don’t feel the need to capture both RAF and JPEG. Unlike Lightroom, Capture One imports my RAFs with the Film Simulation Mode I captured the image with applied automatically. Have you heard about these things called presets? This gives me the best of all worlds I can make creative choices while I’m shooting, I can totally change my mind about those choices later, and I don’t have a second set of files I need to reference what I was thinking when I captured the image.Īnother big reason is exposing to the right with the ETERNA Film Simulation Mode is a fantastic way to get the most out of your exposures, but that’s another article. I never got too deep into the preset world in Lightroom. There were just too many, and many seemed dreadfully overpriced, all too similar 3 and would break or not adapt when Adobe updated their rendering engine. I feel like that market has settled down a little, and the better quality preset shops have added (or are starting to add) Capture One versions as well. It can be easy for presets to become a crutch, but they can also just as easily be a starting point for discovering your own style.
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